* Please note: you will be required to bring along a variety of pre-made plates / blocks for this course (we will not be creating the plates during the course time). The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation. It was pioneered by Stanley William Hayter. Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. Master printer Jacob Samuel, lecturer in the Department of Art at the University of California, Los Angeles, demonstrates some of the many intaglio processes Kollwitz used in her prints, including drypoint, etching, and aquatint. Colours can either be of a similar hue or completely different to achieve a highlight of colour or pick out an element of the plate. Intaglio printmaking involves incising a design into the surface of a metal plate. In intaglio processes, the matrix, most commonly a metal plate, is gouged either manually (with hand tools) or chemically (using a corrosive material). The effect can either be subtle (by using muted Japanese papers) or bright (by using colourful acid-free tissue papers).ĭuring the wiping technique, colours are introduced by wiping and blending over various areas of the plate/block. (3) Credit Hours Work in single and multi-color intaglio processes, including line etching, acquaint, and photo-intaglio. Intaglio is an umbrella term that refers to a variety of printmaking techniques, including drypoint, engraving, etching, aquatint, spit bite, mezzotint, and photopolymer printing. By using Chine Collé you are able to print on much finer, more delicate papers which are bonded onto a more sturdy paper during the printing process. The effect is a very subtle addition of a flash of colour to accent an area of the print.Ĭhine collé roughly translated from French, means “tissue glue/paste”. Each produces prints with a distinct look and feel, and. The “doll” is used to add highlights or spot colour to an inked plate. There are five traditional intaglio processes: engraving, etching, drypoint, aquatint and mezzotint. The term a la poupée means “with a doll”, which refers to the wad of fabric, shaped like a ball. Printmakers are invited to bring along any plates/blocks created using an intaglio printmaking process (eg: etchings, collographs, photographic etchings, drypoints etc).ĭuring this course we will discover four intaglio colour techniques that will allow you to utilize colour in your prints without creating additional plates/blocks: This course would fully suit those with previous experience of printing intaglio plates. Printmaking intaglio + relief + lithography + screen print + monotype + alternative methods Printmaking Home Areas of Study Printmaking Printmaking at CU reflects the dynamic mix of tradition and innovation that defines the medium today. These techniques often revivalise a plate, bringing a new insight to the print. Achieving colour in intaglio printmaking is a highly enjoyable and skillful craft.
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